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In a, RT explains why the pre-release comment section has been deepsixed: “Unfortunately, we have seen an uptick in non-constructive input, sometimes bordering on trolling, which we believe is a disservice to our general readership. We have decided that turning off this feature for now is the best course of action.“But don’t worry — fans will still get to have their say: Once a movie is released, audiences can leave a user rating and comments as they always have.”Presumably the remarks that triggered the change were from the same anti-female fanboys who trashed Paul Feig‘s all-girl (’16) and the casting of Kelly Marie Tran in.: “When you tear out a man’s tongue, you are not proving him a liar — you’re only telling the world that you fear what he might say.”. Yesterday N.Y. Times Hollywood correspondent Brooks Barnes posted a that echoed what Barnes claimed is the general morning-after industry view about Green Book having won the Best Picture Oscar, that it was nothing less a social-political tragedy — a mortifying act that angered, outraged and depressed not just Spike Lee but everyone in town, including the mail-room guys.I knew this was a bullshit take from the get-go, but Awards Daily‘s Sasha Stone put her objections into words faster than I. This morning Sasha forwarded a draft of a letter that she’d sent to the Times, and I suggestedI don’t know, three or four edits. Sasha gave me permission to post it here, but wants it understood that the use of certain explicit terms (“too white, vaguely racist”) was my idea, not hers. It’s a smart, well-reasoned response — please read.
Quentin Harris Nfl
“It’s disappointing that the Times did not offer more balanced coverage of Oscar night than what is contained in Brooks Barnes’ 2.25 article (““). It is misleading, on one hand, to point to a small but loud group of people protesting the film’s win but not, on the other, to report how popular Green Book was across the board.“Two years ago, La La Land’s momentum was slowed because of politically correct protests online. (It was inauthentic, they claimed, for a white guy to be a jazz buff.) The Best Picture Oscar went to Moonlight. The following year, Three Billboards Outside Ebbing, Missouri was met with protests over its rural insular whiteness.
It, too, was derailed — The Shape of Water won. This year Green Book was repeatedly assaulted for being old-fashioned, too white and even vaguely racist.But this time the protests didn’t work. This may reflect an exhaustion with the hive mind continually pushing the red button of alarm.“ Green Book won the Toronto Audience Award in September, beating Roma, A Star is Born and every other film that played there. Green Book also defeated BlacKkKlansman, Black Panther, Roma, Bohemian Rhapsody and The Favourite at the Producers Guild of America Awards. It triumphed at the Golden Globes as well.
If you ask me that show’s broad support counters your headline, and the narrative going forward.“The fact is that for a film to win on a preferential ballot, as Green Book did at both the Producers Guild and the Oscars, it had to have broad support across all markers. That meant it could not have won with just ‘old white guys.’ Moreover, if ‘old white guys’ led that vote, how do you explain the unprecedented array of diversity and inclusion in the other categories? Author and is generally a temperate, perceptive, well-phrased Twitter fellow. His posts are usually on the sensible, carefully measured side.But let’s also call a spade a spade: Harris has been with the SJW Stalinist scolds who attacked Green Book all through the ’18 and ’19 Oscar season.Last night Harris blew a kind of gasket after let him have it between the eyes (“So angryso much the victimand so willing to assume the arrogance of others”), and particularly over Harris’s irritation over the liberal use of the term “ virtue signaller.” I enjoyed the rancor — good stuff.Mark Harris (@MarkHarrisNYC) / 2/25/19, 7:25 AM:“Re-sharing the. Click on it to see the much darker second half of that headline!
(Harris (@MarkHarrisNYC) / 2/25/19, 7:31 AM:“I’ll add: Since criticizing Green Book I’ve been called a Stalinist, a fake white woke liberal, a virtue signaller, all the usual nonsense. But not one person has said to me ‘It’s the year’s best movie.’ For a lot of them, it’s not about loving GB but about hating its critics.”Wells to Harris insert: Correct!Mark Harris (@MarkHarrisNYC) / 2/25/19, 4:10 PM:“Okay, I REALLY will let this go after today, but this “virtue signaler” shit is snapping me. No, you superannuated Bill Maher fetishists. I’m not predicting that Quentin Tarantino‘s (Sony, 7.26) will have its big worldwide debut at the (May 14-25), but it wouldn’t surprise me if it happens. The film already has a huge want-to-see, granted, but Tarantino, and the stellar cast ( Leonardo DiCaprio, Brad Pitt, Margot Robbie, Al Pacino, Emile Hirsch, Damian Lewis) descending upon the Cote d’Azur would have a seismic worldwide impact.Tarantino has been a devotee of this storied festival for nearly three decades, several QT films have premiered there ( Reservoir Dogs, Pulp Fiction, Kill Bill, Inglorious Basterds) and Cannes is the only world-class launch pad that makes sense for Once Upon A Time in Hollywood‘s editing schedule. The 1969 hippie-era drama wrapped on 11.1.18, and would presumably be in some kind of viewing shape by mid May.Remember that premiered in Cannes on 5.20.09, and opened stateside three months later — Hollywood‘s commercial opening would arrive only two months after.
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